You’ve Got Talent – But Why Don’t They Hear You?

24 04 2009

Buzz & ConnectionsToday’s the day to get excited about your Music Career!

Why? Because I’m teaching you How to Get Your Music Above the Noise.

All too often, music acts think that its only a matter of time until they’re next in line for the BIG BREAK. Well….how many struggling 50 year old musicians do you see getting signed to a 5 year record deal? I’d bet very few.

The key to getting above the noise made by other bands is to do the following:

1) BUILD BUZZ

2) REACH THE PROS

HOW TO GET #1: Building buzz means effectively capitalizing on a specific market – that could be your town, your city, region or state. It could also be more specific than that – being the most well-known Blues Act in your Town is better than being the best musician in town. Why? Because notariety (aka: Popularity) sells records, fills concerts, and gets you noticed by the Pros. Musicianship, is a great foundation – but you better have BUZZ to cut through the NOISE.

HOW TO GET #2: So, now you’ve got the BUZZ — how do you reach the Pros? Join www.WorldMusicLink.com, fill out a profile, and reach out to the PROs with a professional introduction. Once you get the ball rolling, you will get what you want. Think about the professional receiving your email while they are talking on the phone, looking at their BlackBerry, after a long day at the office. Sell the Sizzle, Not the Steak. Open with a Catchy Subject like: “Joe and the Boys Blaze Through Dallas – 3 Sold Out Shows.” Now, isn’t that a lot better than, “Yo Dude, I Wanna Get Signed To Your Label”. In the Message, keep it simple and to the point – Be Direct and Succeed!

Reagan

Founder

WorldMusicLink.com

Connecting the Music Industry





Music Capitalists 2.0

6 04 2009

Ever heard the term, Venture Capitalists?  businessman

For many music industry folk (musicians included) a venture capitalist and his/her procedures have nothing to do with the music business – so why do I even mention it?

Venture Capitalists (VCs) invest money and resources in start-up, emerging, and high growth companies (or ventures), with the anticipation that they will get paid back (ROI – Return on Investment) + compounded interest (5X – 10X their investment) in a 3-7 year period of time.

How are Record Labels, Music Publishers, Managers, Agents, and other pros any different than a Venture Capitalist when it comes to finding, investing in, and partnering with you?

THEY’RE NOT DIFFERENT.

So, what does this mean to the aspiring (or established) musical act who wants to get noticed, signed, booked or promoted?

It means – start viewing your music / brand as a start-up company, and you’ll start to see what I mean – and get closer to success.

VC’s and Music Industry Professionals look for the following in the next act:

  1. Differentiation (How unique is the act?)
  2. Market Size (How large is their fan following? Where?)
  3. ROI (Does this act, or can this act produce a return on my investment?)
  4. Musical quality (Is their product demanded for today’s market?)
  5. Payback Period (How long would it take to get paid back?)

Answer these questions – or start focusing on achieving strong results for these, and you will win.

Reagan

Founder

WorldMusicLink.com

Connecting the Music Industry





The 4 Differences Between You & a RockStar

31 03 2009

Music Fan

The single largest controversy happening within the past ten years (since the true emergence of high-speed Internet infrastructure /  capabilities on a mass scale) has been that of MUSIC DISTRIBUTION.

The Holy Grail for Record Labels has and continues to be the ability to manufacture, distribute, and track / earn income via the sale of music.

Why do Record Labels, Musicians, and other Industry players continue to enforce on Fans the Pay for Play model with Music?

Here’s the Fact: Fans want music to be: Free (or as cheap as possible), Mobile (accessible via any means), and Ubiquitous (everywhere they are).

Why then, does Music Talent and Industry Professionals continue to force payment for music if diminished margins (that’s profits), shrinking distribution chains, and piracy continue to win the race?

Here’s My Take: GIVE MUSIC AWAY FOR FREE.

Wanna make it as the Next Big Star? View your Music as a Virus.

What do I mean? A disease, if quaranteened, dies. An album or song, if quaranteened, dies. The fundamental difference between an emergining artist and an established act is that of resources:

1) Distribution Channels

2) Industry Professionals

3) Financial Backing

4) Experience (This is up for Debate)

HERE’S HOW YOU BECOME THE NEXT (YOU FILL IN THE GENRE) STAR.

1) Forget Traditional Distribution Channels: (Ex: WalMart, Virgin Megastores, etc.)

Established artists have one less defensible barrier to entry (that’s Business School jargon for “an easier way for others to replicate you and win”). In today’s industry, FREE is the ONLY WAY. Record old and new tracks with a plan on making them spread like viruses. Give them to as many people as possible without charge. Have a stack of CDs at ALL your Shows. Make music available for FREE download on your website. Make a ringtone jingle and distribute it free to your fans. Get fan feedback on E-Z ways / places to put your music.

*Most musicians have been brainwashed into thinking that their Music is their Financial Blood. Wrong. Think about your Music as the BAIT, and your merchandise, live video footage, concert tickets, interviews, etc. as the money makers.

2) Need Industry Professionals? That’s why we created www.WorldMusicLink.com. PS: It’s free to join – so don’t complain that you can’t muster up the money ($).

3) Financial Backing: Most musicians forget that they are in Business for themselves (see my earlier post). As entrepreneurs, you must find people who are “infected” by your music, cause, purpose, vision, brand, movement, mantra (mission statement), etc. This is why you must create your brand, publish it everywhere, and as famed entrepreneurial marketing guru Guy Kawasaki says “MAKE MEANING”. People want to follow others who make a difference. Your old High School friend who now is the Bank Owner may have a Metallica t-shirt on under his 3-piece suit – and he may be looking for a “cool” way to invest money in something he can get behind. Be bold. Ask for financial investors – and reward them handsomly. Ex: Give them a small % of income (but gradually increase it as you earn more) so that they take a little here and there while you take off as well.

4) Remember the old expression, “Knowledge is Power”? It’s true. The more you know about the Music Business, the better. Make friends with people who are smarter than you, who run a venue, book bands, etc. Ask questions and be honest – most people who know something like to share it (and have an audience that cares).

Reagan

Founder

WorldMusicLink.com

Connecting the Music Industry








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